French Film
critics coined the term noir to describe a new genre in American film after the
end of WWII. Unlike the feel good and patriotic pictures of the wartime and
prewar eras, these new films were dark and dangerous, filled with a violence
and corruption that was a complete reversal of the earlier American film
trends.
The silver screen noir genre was influenced directly by the paperbound
works of Chandler, Cain and Hammett, whose protagonists were more human,
flawed, and earthbound than do-gooders. These dark and brooding men would stop
at nothing to discover the truth, be it for their own satisfaction or by some skewed
sense of purpose.
The expressionist visual elements that brought these dark hero's to life
were often based upon wet, nighttime urban settings to create an ambiance of
smoke hewn cynicism and fatalistic desires. The rain soaked alleyways
juxtaposed with unique camera angles often served to accentuate the moody,
gloomy nature of the protagonists.
A distinctive element within the noir style
is the femme fatal, a beautiful and deceitful woman who pushes the protagonist
into physical or morally compromising situations that disrupt his plans or
goals. Unlike the picturesque perfect housewives of the prewar era, these women
were independent and cruel mistresses who only acted for their own benefit.
All of these elements were combined into
films which dealt directly with the issues of the day. Corruption, Violence,
Danger... these were real, ongoing, concerns that faced postwar Americans, and
the films were a means to bring to light and cope with a turbulent time.
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